Weather / Love

We trade weather reports like love

letters – you send a picture of the aquamarine

sky behind the verdant mountains that rise

up from the ocean, your smile in the middle

of the frame. I can almost smell the salt

water breeze as it tangles your hair. I respond

with a photo, my smile as bright as my umbrella

against the concrete sky.

It’s been raining for ten days – I crave sunshine

and your hands. You send a photo of a rainbow.

I recognize the street you live on, remember

each time I parked, walked into your house,

crawled into your bed.

There’s a thunderstorm tonight, loud

and bright. I sleep with the blinds open, watch

the lightning flash through the window. I tell

you I’m naked in bed, the room illuminated

with each crack. I can’t photograph the flash,

the lightning moving too quick to capture.

I send you a photo of my body instead, my skin

pale against the dark sheets. I wish

you were here, I say, knowing we’d fuck

hard and fast, the percussion of the storm

our soundtrack.

The next morning dawns clear and bright,

the storm pulling the clouds with it as it moves

up the coast, the azure sky a welcome

sight. The emerald grass sodden, the seeds

of desire pushing through the earth

of my heart, growing wild.


Courtney LeBlanc is the author of the chapbooks All in the Family (Bottlecap Press) and The Violence Within (Flutter Press) and is an MFA candidate at Queens University of Charlotte. Her poetry is published or forthcoming in Public Pool, Rising Phoenix Review, The Legendary, Germ Magazine, Quail Bell Magazine, Brain Mill Press, Haunted Waters Press, and others. She loves nail polish, wine, and tattoos. Read her blog at, follow her on twitter: @wordperv, or find her on facebook:

Ideas for Wet Dreams

Sleep: clicked escape of then and gone, backed up to spring up in the slight twinge. Lush, bottom-of-the-well moss creeping over stony steps as the sun falls under the hill; it keeps growing in the shade. But in the dark of dream there’s the wedding day cousin’s chest poke running knuckle deep through the sternum, happening in pause between cricket legs’ chattery emissions flexed out at the heart. Quiver death in the assassin breeze shoving a pillow over a meadow tree, those branches still chirping.

Dreams live there, under that tree. And the warblings don’t communicate, they echo. Inside a hollowed pocket, a family of mice hides and hopes for winter to pass soon. One of them has a tingle of a Spanish accent on a Samoan face with a dress—topped off by this tight stretch of the boxers in fabric friction and, soon, it’s not a mousy tree but a fifth-grade classroom. You’re approached by your reflection naked in the locker room mirror. The shower sprays the chalkboard washing off the digits. It all feels so real as the squeaking M. Butterfly from Pago Pago reaches south, water streams down your neck. Bodies surround but you are alone if you want to be.

…Comes the thunderous domino buckle turning over the covers, the ducky face of pursed lips holding back. Drool smear dampens the right cheek, leaving stains like unfinished salt dumplings on the pillow between two branches, rooted inside, feeling so good inside. Thundercat plays on shuffle. The fading of his beard against yours, revolving like Davidian ring-around-the-rosy. The comforter is black, the Tide marker’s useless.


Gillick is from Virginia

I am Sick

My skin is tethered to long bolts,

pinned up like teenage posters.
You say that it will never be over

and I swoon like dirty wings.
Spread me out like wings and

push me through the pregnant pause.
Sing and hold my hopes for hostage.

You find hidden places I ache and
breed and move and diddle-daddle

on my naked sweaty knees.
Say to me that my hands are bloodlines

to my death,
and lead me there in tow like thunder.

Make my death the little smeared edges.
When it’s no longer so unfamiliar

you somehow lick the ocean clean.
Take my world and fuck me up again.

Tomorrow I will be sick but I am also
always sick with you and unbelievable.

Push me open and show me who I cannot be,
or else have my eyes fit snug bug into

my heaving openings and closings.
To you I am nothing and it is this nothing

I wrap in and spin wildly outside my head,
up against your blowing horror face.

Show me the horror inside my open body.



J C Bouchard’s collection of poetry and photographs, Let This be The End of Me, was published by Bad Books Press in spring 2018. Their poetry is forthcoming in CAROUSEL and has appeared in PRISM international, carte blanche, Arc, The Puritan, Hart House Review, BAD NUDES, BafterC, Queen Mob’s Teahouse, and more. They live in Toronto and online at

A Prayer For A Saintly Sinner

feet stumbled across
tumbled stone
where whispers of
ancient slippers
meet modern feet.
one stocking—
hands cradle
my hips and
i am rocked
in rhythm
with the cadence
of ghost murmurs
and plaintive
pleas and the
constant click,
of rosary beads.
my open mouth,
bathed in
sucking in stained
glass hues,
a sinner sanctified
while you enter me
like a prayer.


Juliette van der Molen is a writer and poet living in the Greater NYC area. She writes completely unladylike erotica and other sundry things. She is a recipient of the Zathom Microfiction Award (third place, April 2018). Her work has appeared previously in Horny Poetry Review, Memoir Mixtapes, Lit Up, P.S. I Love You, My Erotica, The Junction and is forthcoming in Rose Quartz Journal. You can find more of her writing at Medium and connect with her on Twitter @j_vandermolen. Her debut chapbook, Death Library: The Exquisite Corpse Collection, is scheduled to be released in 2018 by Moonchild Magazine.


A woman dies. They bury her. They plant
Flowers. The flowers bloom,
They’re pollinated. The bees make honey and the
Honey is sold in big jars from big crates in big
Boxes. The woman’s family buys honey.
They sweeten their tea, soothe their
Allergies. Soften their skin in rich hand

It is my promise in life to choke on
You. I will shrink myself until I am only
Big enough for you. My mouth stuck,
My lungs filled. I make noise, like inhaling
Gravel, like breathing in dirt. I love
This and I want this. My jaw unhinged,
I die wrapped around you. I do this
While the sun rises. I do this while you
Are not looking, when I want you to think
About me. I do this because I love to
See the whites of your eyes,
The underside of your jaw. I love how my
Name has no meaning when it comes
Out of your mouth.
My buzzing, my flittering, tiny
Diazed eyes are me. Memememe.

I want to choke on you, fill up
To the seams with you. My mouth
Glues shut. Too sticky to swallow.

They bury me.
They plant flowers.
The flowers bloom.
I love you.


Sloane Frederick is a writer currently seeking solace by hiding in the deep south. With a hot love affair with the desert south west behind them it was time to live with a little broken heart. It’s better for the art, they say. They have been published in Alligator Juniper, Entropy, and others. You can only find them on the internet if you look hard enough.

Given the Chance

Do you ever feel like a small part of you
is melting with every soft word born between us?
I pour my liquid self into the parts of your voice that
break and halt and inhale –
all those intimate parts are perfect places
for me to slip in.
Given the chance, where would you slip in?

There are few people who I would let in
to the places where I am broken
but I would let you in
anywhere our words might take you.
Given the chance, would you come in?

My words might take it too far and
infrequently during our conversations
I have to remind my clitoris
that this is none of her business.
But given the chance, what would you do?


Sam Rose is a writer and editor from Northamptonshire, England. She is the editor of Peeking Cat Poetry Magazine and The Creative Truth. Her work has appeared in Scarlet Leaf Review, Poetry Pacific, Haiku Journal, In Between Hangovers, and others. In her spare time, she enjoys listening to music and eating too much chocolate.

Because he fucking haunts me

I almost called him “Daddy”

when his hands were around my neck,

I wanted to be his babygirl in heart-shaped glasses

and slick bare skin—no lies between me and him.


And even now in separate seats,

the shape of his fingers feed the fire

I feel at the nape and roll down

my spine in a lusty blaze.


I won’t mind when he tilts my chin

and makes me get on my knees.

I’ll listen closely for each command.


Yara S. Nerida is a Latina poet who has been writing for over a decade. Her work has been published in The Sonnetarium at Rhythm and Bones Literary Magazine. Her work will be featured in Vessel Press. She has a collaborative chapbook, Good Girl Games, with Kristin Garth forthcoming from Maverick Duck Press.

lush theory & hypersmell

lush theory

i’ve kept my matrix clean for you
and this unwrap       goodbyes
swelling hallelujah
with oyster tongue soft
all blush and in full synthetic
easing its way back
into your shape


i feel far away from you in plenty
wanting to be merriweather in
your      spice cabinet

a milkman at your gap
during witching hours

a virus       growing in morsels
                                     on your chin
Arielle Tipa is a writer who lives near a haunted lake in New York. She is the Founding Editor of Occulum. Her debut chapbook of poetry and prose, daughter – seed, is set to release in Winter 2018 from Empty Set Press.

Your Fingers Are My Favorite

Your fingers are my favorite

though much more could be said.

Whiskered whispers, wickedness,

you hold me down in bed.

Brown eyes going black on top

as you push so deep inside;

the way I always stretch for you,

how you never let me hide.

It’s the tease inside your touch,

fingertip against my clit

that breaks me down

to who I am, compels me to submit.

And when those fingers enter,

I hold them in so tight.

Two commas curl inside me

remove all wrong from right.

A magician with a flourish,

you wield them like a trick.

Your fingers are my favorite thing

to feel and then to lick.


Kristin Garth is a poet from Pensacola and a sonnet stalker. In addition to Horny Poetry, her sonnets have stalked magazines like Luna Luna, TERSE. Journal, Occulum, Anti-Heroin Chic, Drunk Monkeys, Ghost City Review, Neologism Poetry Journal and many other publications. Her chapbook Pink Plastic House is available from, and her second, Shakespeare for Sociopaths, is forthcoming from The Hedgehog Poetry Press in January 2019. Follow her on Twitter: @lolaandjolie